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Chapter 18 · free

Section Six

1,920 words · Collected in Full

Devika Sandhu lived in a narrow brick semi in Leslieville with a pear tree in the front yard that had given up on pears. Nia had the address from Pinky, who had it from Devika, and she stood on the porch at nine on Wednesday night with a carrier bag from the dumpling shop in one hand and the other hand not yet knocking.

From inside came a violin. Not good, not bad, a boy of about twelve fighting a Bach minuet one bar at a time. It broke off at the same place twice, started again, broke off. Then a woman's voice, patient, flat with fatigue: "From the pickup, Kabir. Not from the top. Nobody ever got anywhere from the top."

Nia knocked.

Devika opened the door in a grey sweatshirt with the sleeves pushed up, no makeup, her hair pinned back in the way of someone who has been pulling at it. She looked at Nia and then at the bag. "If that is an apology in a container," she said, "I'll have to charge you for the container."

"It's pork and chive. Mr. Lau sends his regards. He doesn't know you."

"Come in before the neighbours start taking notes."

The kitchen was yellow and small and had a calendar on the fridge with every square filled in, school, lessons, a dentist, a mortgage payment circled twice in red. Kabir appeared in the doorway holding the violin by its neck like a chicken, took one look at Nia, and was sent upstairs to practise with the door shut. The Bach resumed. It was louder than before, with the resentment of a child who knows he's being protected from something.

Devika sat. She did not touch the dumplings. "They called my bank," she said. "Not a bank, my bank, the one with my mortgage. A woman from Halvard Group's treasury confirmed my employment *status.* I found out because a man named Brandon rang to ask whether my circumstances had changed. They did it in under twelve hours."

"That is not HR. That's someone who knows how a household stays upright."

"Yes." Devika's smile was thin as foil. "Pruitt always did."

Nia set down the bag. She had rehearsed this part on the streetcar and it had come out polished and sensible, which was how she knew it was wrong. "I'd like to cover the mortgage. For as long as the review runs. The contract has an expenses clause I can stretch, and what it doesn't cover, I will. There'd be no paperwork. No conditions."

The Bach stopped dead.

"No," said Devika.

"It's six months at most. If I've cost you—"

"If you've cost me." Devika turned in her chair. "Listen to what you said. You've been in that building how long, ten weeks? I have been there nine years. I stayed through three audits and a CFO who had me make tea for his golf guests. Then I walked a page out of a basement because a stranger told me to be brave about it, and you want to pay me for the privilege." Her voice was not raised. It was precise, which was worse. "A stipend from the woman who put me on the street is not a kindness. It's an *account.* I would owe you. I would sit in this kitchen every month of the six and know exactly what I owed you, and who."

It landed somewhere under Nia's ribs, where she kept the things she had never quite said to Ines. *I would owe you.* She had spent eighteen years building a life in which that sentence could be made to do the work of love.

"I didn't mean it as that," she said.

"I know you didn't. That's the trouble. People like us don't, do we?" Devika picked up one dumpling at last and put it in her mouth, chewed, swallowed, like a woman accepting a thing on her own terms. "What I'll take is Thursday."

"You mouthed it at the lift."

"It's the audit committee. Quarterly, nine a.m., on thirty-nine. Marguerite wrote a whistleblower policy two years ago, section six. A person who raises a good-faith concern about financial records cannot be suspended in retaliation without the chair's sign-off. Pruitt didn't ask. He couldn't have, she'd have said no. So he's done it as *pending review of access,* which is a different box on a different form, and the whole trick of this building is the form." Devika wiped her fingers on a paper towel. "I can't go in. I'm barred. But a sworn statement counts. I wrote it last night. It's four pages and it's addressed to her, not to Legal. I need someone to hand it to her at the table, in front of the others, not through the secretary."

"I can do that."

"I know. I'm only telling you why I asked."

From upstairs the Bach began again, from the pickup, as instructed.

---

They had finished the dumplings and most of a pot of tea when Devika reached into the drawer under the cutlery and took out a yellow sticky note. She turned it face down on the table and slid it across.

"You asked me, the day we found the page, who else had asked about Brightwater. I said Haruto. I said Pruitt fired him in 2019. I didn't say the rest because I didn't know how to say it without sounding mad."

"Say it now."

"Haruto Ito was the deputy controller before me. Careful. Honest to the point of being a nuisance. He found a note in the archive index that said box 2008-BW-1 had been signed out and returned by someone with no badge. Back then there were still paper tags." She breathed out. "He took it to Pruitt. Pruitt told him it was a clerical error and that he'd appreciate discretion. Haruto wrote a memo anyway. Two weeks later he was let go for *performance.* Haruto, who colour-coded his pencils."

"Severance?"

"That's the thing." Devika leaned in. "I processed the file when I took his desk. A mutual separation agreement, standard, eighteen months. Except it wasn't paid by Halvard. The line in the ledger said *OL Advisory Services, on behalf of the company.* I thought it was just an outside firm. I never connected it. Not until the day you stood in my office and said that name, and I remembered where I'd seen it before."

Nia did not move. She had learned a long time ago to keep her face still when a number landed that she'd been carrying for years. OL Advisory. A firm no one could find. The firm that wired money to a seamstress in Scarborough, twice a year, for *a small thing I did for the family once.*

"Same account?" she asked, and her voice came out quieter than she'd expected.

"I don't know the account. I know the name. I know it paid a man to stop asking." Devika tapped the sticky note. "That's his number. I kept it. I told myself it was in case I ever needed a reference."

Nia turned the note over. A mobile number, a Toronto area code, written in a neat upright hand with a seven crossed in the European way.

"What happened to him?"

"He took a job at a bakery chain. Finance manager, forty stores. He was good at it. The thing is," and here Devika hesitated for the first time that night, "he never answered my Christmas card. I think he was afraid. Not of me. Of the *name* on the envelope."

---

Nia called from the back of a streetcar at eleven fifteen, sitting under the brightest bulb with her coat collar up. She had decided not to wait. The night was the only time the number would not be monitored by anything that had a right to it.

It rang six times. She was composing a message in her head when it clicked.

"Yes." A man's voice, careful and slightly out of breath, as if he had walked to the phone from a long way off. Behind him a television murmured.

"Mr. Ito, my name is Nia Boateng. I'm a contractor for Halvard Group. Devika Sandhu gave me your number."

Silence. Then the television went off. She heard it go: a click, a cut, a room abruptly full of its own quiet.

"Devika is all right?" he said.

"She was put on leave this morning."

A long breath. "Of course she was." No rage in it. A sort of tired recognition, as if the weather had turned on a day it had been forecast to. "How long did it take them? From the day she found it."

"Eleven days."

"Mine was sixteen." He almost laughed. "I've been counting for five years whether I'd done something wrong or merely something early. What is it you want from me, Ms. Boateng? I'll tell you now, I have two children and a pension plan, and I got a very good payout."

"From OL Advisory."

The silence this time had a different shape. It was the silence of a man who has just heard the name of his own fear said aloud by a stranger on a bus.

"Who told you that?"

"The ledger."

"Ah." She could hear him sitting down. A chair, a creak. "I didn't think anyone ever read the ledger."

"I do. It's what I'm for."

Another long pause. Out of the dark window she could see the Danforth sliding past in red and white, shuttered shops and a single lit laundromat with a man folding sheets. She waited. She was very good at waiting. It was the other half of collection and no one ever taught it.

"I kept the routing slip," Haruto Ito said at last. His voice had changed; it had gone low and stripped, a man putting a heavy thing on a table. "In 2019 when I asked about the box, I photocopied the sign-out sheet from the index before I took it to Pruitt. Paper tag, handwriting, a date. Somebody signed that box out of the archive in March 2008 and put it back, and they signed it with their initials. Not a badge. Initials. I thought it was nothing. I think now it's the only thing."

Nia's pen had stopped moving.

"Whose initials?"

"I'm not telling you on a phone with a Halvard contractor's name on it," he said, almost gently. "You'd do the same. I'll meet you. But not in an office, and not anywhere with a camera, and not with anyone who works in that building, including Devika, who I love and who talks to people." A pause. "And you'll come alone. If you bring a man with a watch face turned inward, I won't be there."

Her skin went cold from the neck down.

"I don't know any—"

"Somebody's been standing outside my bakery's loading dock for two days," said Haruto Ito. "Left-handed. Steel watch. Writes in a little black book. Very polite. He asked my night manager if I took my tea with honey."

The line went dead.

Nia sat under the bright bulb with the dead phone in her palm and the streetcar rocking her slightly from side to side like a hand that did not want to wake her. Outside, the Danforth slid by. She was trying to remember whether Rafi had said, in the freight lift or the stairwell or in all the quiet hours on thirty-eight, one word about where he spent his own evenings.